We have Phil Earle, the author of one of my fave 2012 Contemps, Saving Daisy, here today! (You can see my review of Saving Daisy: here!) He has an awesome post lined up for us, one I love! So without further ado, here is his ace post... :D
Kings of Teen
A fanfare is heard each year, for a fantastic book
prize called ‘The Queen of Teen’, a chance to celebrate the best writing for
teenagers.
It’s an award with great kudos, the ceremony is
lavish, and it’s an accolade many authors want to win, yet this year marks a
sea change for the award, as for the first time, a man (shock!) has infiltrated
the ranks of the brilliant Cathy Cassidy, Cathy Hopkins and Sarah Webb. James
Dawson’s inclusion has created a lot of comment, particularly on blogs across
the country, and good on him I say.
The whole thing got me thinking though, about how
competitive a prize for male YA writers would be, when there are so many
inspirational authors out there, many of whom inspired me to open my laptop and
get typing.
Here’s what my dream shortlist would look like:
A couple of years ago, “Ostrich Boys’ graced just about every shortlist out there, and little wonder. An incredible road-trip about friendship and loss, it confirmed for me everything that’s great about the author.I fell in love with Keith’s writing when working as a bookseller: ‘Warehouse’ was quite unlike anything else I’d read before, as it was so packed full of truth. ‘Malarkey’ and ‘The Fearful’ merely confirmed what I already knew: that more teens would be reading if they knew about Keith and how bloody good he is.
‘Martyn Pig’ was a game-changer for me. A book that broke all the rules, that took you into the darkest of places and never once flinched.
The books that followed never backed down either, ‘Lucas’, ‘Road of the Dead’, ‘Killing God’, ‘Naked’: all of them uncompromising, but always entertaining.
Kevin can do high concept too. ‘iBoy’ is genius. A kid gets hit in the head with an iphone and absorbs all of its powers. Brilliant. Why didn’t I think of that?
- David Almond
I
wish more than anything that I could write like David. His novels are never
long, rarely over 250 pages each, yet he says more than I ever could in a dozen
books. ‘Skellig’ and ‘The Fire Eaters’ both destroyed me, whilst ‘The True Tale
of the Monster Billy Dean’ proved that he can enthral adults just as well as
teens. If you ever get the chance to hear him speak, drop everything and go.
He’s as mesmerising in the flesh as he is on the page.
- Melvin Burgess
‘Junk’,
‘Doing it’, ‘Bloodtide’ and now ‘Kill all Enemies’ – a legacy any writer would
be proud of. People often accuse Melvin of being controversial for the sake of
it, but to me he means every word he says. There’s real fire and passion in the
stories he tells, and that’s why I always return when his new book comes out.
‘Swim
the Fly’ and ‘Beat the Band’ are lewd, crude and hilarious, yet there’s more
than just a feeling of ‘American Pie’ to Don’s books. What I love about them is
that they are HUGE of heart. The biggest compliment I can pay them is that I
wish they’d been around when I was a teen. I would have thought they were the
business.
Finally, what I
love most about YA at the moment, is the sheer number of writers who deliver
brilliant debuts, and I couldn’t finish this post without mentioning a couple
of them, namely Dave Cousins and John Lucas. With ’15 Days Without a Head’ and
‘Turf’, they have announced themselves as the new generation of YA.
They are not afraid to write from the heart,
or talk about subjects others would shy away from.
That’s what makes
them special, and I can’t wait to see what they come up with next…
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https://twitter.com/#!/philearle @philearle
Everyone, if you liked this post, make sure you follow all the FoG
events on Twitter at #FortnightOfGuests
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Phil was born in Hull in 1974, and he studied English and Drama at Hull University. He worked for a year as a carer in a children’s home, then after training as a drama therapist, he worked in a therapeutic community in London, which cared for multiply abused adolescents. Then, changing tack completely, he chose a marginally more sedate life as a children’s bookseller. It was here that he developed an obsession for kid’s literature, in particular, young adult fiction.
After three years at Ottakar’s, he became a sales rep, and then a key account manager for Transworld/Random House, and is now sales director at Simon and Schuster Children’s Books.
Phil lives in South East London with his wife and three young children.
1 comment:
I think the point of QoT was to celebrate authors of books which get universally overlooked when prize shortlists are being drawn up. You said it yourself, Ostrich Boy was shortlisted for many awards and Melvin Burgess isn't short of a nomination or two. And I don't begrudge this; just let's have an award which puts value on a much-ignored section of the kids' publishing world as well.
I do wish it wasn't so relentlessly pink and sparkly, though...
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